Kate Moss is undoubtedly one of the world's most photographed women - and in our latest fashion film series, we invite a selection of contemporary video editors to craft their own fashion film from footage captured of Kate Moss during Nick Knight's editorial for the December 2010 issue of Vogue Italia. The resulting fashion films will be released over spring 2011, alongside interviews with each of the editors to underline their individual approach to the footage, the process of editing Kate, and the emerging genre of fashion film.
the she-singer strums her autoharp in her living room (or on set of one) as images of dead soldiers, folks frolicking in the park, young boys in uniform, some driving around town and an older person’s rendition of Strictly Come Dancing interchange.
Après l’Europe centrale, Paris Photo met pour sa 15e édition, du 17 au 20 novembre 2011, la photographie africaine subsaharienne de Bamako à Cape Town.
My interest towards photography is closely related to time in the past tense, to the possibility of being able to make a moment motionless, to make something stand still. That something has existed, and has now been set in static state. There is a certain aspect of lost moments and a feeling of letting go when looking at photographs. They exist at the intersection of the momentary and the constant, between the fleeting feeling of being alive and consciousness of the moments passing by. In my pictures, attempts in recognising and lighting of obscure and vague movements, are made visible. I want to approach the momentariness of living through constancy. The paradox is that when you try to conserve or protect a moment by stopping it, by photographing it, you inevitably lose it at the same time. I am interested in exploring these contradictions and borderlines between things, how distance relates to closeness. Symbolic meanings are essential in my works. I am interested in how the concrete surface of reality and photographs relate to metaphorical things that can be found underneath. I try to trace those kinds of occasions of seeing when words dissolve and scatter apart, objects and incidents intensify into symbolic language, silent information and intuitive interpretation. What fills the room behind the picture, allows one to step closer. Thoughts of incompleteness and insecurity are also important to my works. Objects and spaces can occur to be like transparent routes between the inside and the outside, between the seen surface and unconscious content. Museums and miniature rooms become entrances to each other. Balance and its fragility, delicacy are present simultaneously. How to stop a feeling, a memory? By binding it to visible objects, facades of material things, attaching it to a room ́s walls, the surface of photographs. Like translucent skin with unforeseen memories beneath.
1. Thou Art Loosed (Intro) 2. Sweetheart I Ain't Your Christ 3. Woman When I've Raised Hell 4. Honeymoon 5. Sorry With A Song 6. Country Dumb 7. Driver Her Out (Outro)
01. Phoenix – Love Like a Sunset Part I 02. William Storkson – Ghandi Fix 03. Foo Fighters – My Hero 04. The Police – So Lonely 05. Amerie- 1 Thing 06. T.Rex – 20th Century Boy 07. Gwen Stefani – Cool 08. Paolo Jannacci – Che si fa 09. Romulo – Teddy Bear 10. Kiss – Love Theme From Kiss 11. The Strokes – I’ll Try Anything Once 12. Sebastian Tellier – Look 13. Bryan Ferry – Smoke Gets In Your Eyes 14. William Storkson – Massage Music 15. Phoenix – Love Like A Sunset Part II